Arnaud Maggs | Copyright and Credits

Copyright & Credits

Acknowledgements

From the Author

I would like to thank Sara Angel for the opportunity to work on this book with the ACI team, and Sarah Parsons for the introduction and encouragement. It has been a true pleasure working with Jocelyn Anderson, Stephanie Burdzy, Barbara Campbell, Annie Champagne, Tara Ng, Jennifer Orpana, Michael Rattray, and Simone Wharton. I would like to extend special thanks to Jocelyn Anderson for her editorial support and engaging discussion throughout the process.

As this book has developed out of a years-long dissertation project, there are many individuals deserving of my sincere thanks for their early and ongoing contributions to shaping the larger project, including Sarah Parsons, Sophie Hackett, Dan Adler, David Harris, Gaëlle Morel, and Thierry Gervais.

I owe a debt of gratitude to The Estate of Arnaud Maggs, including the helpful support of Rebecca Duclos and Charlotte Perreault. I am especially indebted to Spring Hurlburt and Katiuska Doleatto for their enthusiastic support of my research with access to materials and image permissions and for contributing such valuable insight in interviews with me.

I am grateful to each and every one of the individuals who took time to share their thoughts about Arnaud Maggs with me. Thank you Karyn Allen, Donna Braggins, Keith Brandscombe, Claire Dawson, Lee Dickson, the late Jim Donoahue, Josée Drouin-Brisebois, Jon Eby, Marjorie Harris, Eleanor Johnston, Katherine Knight, Suzy Lake, Martha Langford, Kristie MacDonald, John Macfarlane, Caitlan Maggs, the late Michael Mitchell, Philip Monk, Paul Orenstein, Fidel Peña, Mike Robinson, Nigel Smith, Maia-Mari Sutnik, Ann Thomas, Rhiannon Vogl, and Barry Zaid. I enjoyed our conversations very much and felt renewed energy for the project after each meeting.

Thank you as always and forever, Marco, Sadie, and Tom Cibola, Nancy and Wally Merrill, and Roslyn Costanzo.

From the ACI

The Art Canada Institute gratefully acknowledges the generosity of the Title Sponsor of this book, who has chosen to remain Anonymous.

We thank the Founding Sponsor of the Art Canada Institute: BMO Financial Group.

The ACI also thanks the other Title Sponsors of the 2021–2022 Canadian Online Art Book Project: Marilyn and Charles Baillie; Alexandra Bennett in memory of Jalynn Bennett; Kiki and Ian Delaney; Blake C. Goldring, CM, MSM, CD.; Lawson Hunter; the Honourable Margaret Norrie McCain; The Stonecroft Foundation for the Arts; and Trinity Development Foundation.

We thank the 2021–2022 Season Sponsors of the Art Canada Institute: the Connor, Clark & Lunn Foundation; The Scott Griffin Foundation; The McLean Foundation; and The Jack Weinbaum Family Foundation.

We are grateful to the Art Canada Institute Leaders: Anonymous; Anonymous; Alexandra Baillie; John and Katia Bianchini; Christopher Bredt and Jamie Cameron; Linda and Steven Diener; Roger and Kevin Garland; Joan and Martin Goldfarb; Tim and Darka Griffin; Lawson Hunter; Richard and Donna Ivey; The Michael and Sonja Koerner Charitable Foundation; Alan and Patricia Koval Foundation; McCarthy Tétrault LLP; Bill Morneau and Nancy McCain Foundation at Toronto Foundation; Partners in Art; Sandra and Jim Pitblado; Tim and Frances Price; Gerald Sheff and Shanitha Kachan Charitable Foundation; The Donald R. Sobey Foundation; The Stonecroft Foundation for the Arts; TD Bank Group; Fred Waks; Bruce V. Walter and Erica Walter; Eberhard and Jane Zeidler; and Sara and Michael Angel.

Appreciation goes as well to our Patrons: Anonymous; Diana Billes; Eric and Jodi Block; Malcolm Burrows and Barbara Dick; Debra and Barry Campbell; Anne-Marie Canning; Cowley Abbott; Lilly Fenig; Jane and Michael Freund; Leslie S. Gales and Keith Ray; The Lindy Green Family Charitable Foundation; Reesa Greenberg; Jane Huh; Elaine Kierans and Shawn McReynolds; Trina McQueen; Gilles and Julia Ouellette; Judith and Wilson Rodger; Fred and Beverly Schaeffer; Michael Simmonds and Steven M. Wilson; Andrew Stewart and Kathy Mills; Carol Weinbaum; and Robin and David Young.

Gratitude goes as well to our Founding Patrons, who supported the Art Canada Institute in its first year: Jalynn Bennett, The Butterfield Family Foundation, David and Vivian Campbell, Albert E. Cummings, The Fleck Family, Roger and Kevin Garland, Glorious and Free Foundation, Gluskin Sheff + Associates, The Scott Griffin Foundation, Gershon Iskowitz Foundation, The Michael and Sonja Koerner Charitable Foundation, Michelle Koerner and Kevin Doyle, Phil Lind and Ellen Roland, Sarah and Tom Milroy, Partners in Art, Sandra L. Simpson, Stephen Smart, Nalini and Tim Stewart, and Robin and David Young.

The Art Canada Institute would like to thank the following for their assistance: Art 45 (Serge Vaisman); Art Gallery of Ontario (Alexandra Cousins); Art Resource (John Benicewicz); Belkin Art Gallery (Teresa Sudeyko); BFI National Archive (Espen Bale); Border Crossings (Jean Klimack, Meeka Walsh); Brechin Imaging (Jacqueline M. E. Vincent); Center for Creative Photography (Leigh Grissom); CIBA/Novartis Canada (Deanna Di Donato); David Mirvish Gallery (Eleanor Johnston); David Zwirner (Jacob Daugherty); The Estate of Alvin Lustig (Patricia Belen, Greg D’Onofrio); The Estate of Arnaud Maggs (Charlotte Perreault); The Estate of Michael Mitchell (Sheila Murray); Gagosian (James McKee, Sarah Womble); Glenstone Museum (Daniel Mauro); Library and Archives Canada (Marie Julie Hyppolite, Anne-Yves Nadro, Annabelle Schattmann); Maclaren Art Centre (Lisa Daniels, Tyler Durbano); McGill University Library (Jennifer Garland, Greg Houston); Morris and Helen Belkin Art Gallery (Teresa Sudeyko); Musée d’art contemporain de Montréal (Alexandra Derome); National Gallery of Canada (Raven Amiro); Nickle Galleries (Lisa Tillotson); The Power Plant (Noor Alé, Julie Anne); The Robert McLaughlin Gallery (Sonya Jones); Ryerson Image Centre (Feven Tesfamariam); Seymour Chwast Archive (Seymour Chwast); Site Media Inc. (David Craig, Katherine Knight); SK-Stiftung Kultur (Marianne Breur); SOCAN (Gilles Lessard; Jean-Philippe Prince); Sprüth Magers (Esther Dörring, Diana Hunnewinkel); Steidl Publishers; Stephen Bulger Gallery (Stephen Bulger, Sasha Furlani, Robyn Zolnai); Susan Hobbs Gallery (Susan Hobbs); Toronto Public Library (Christopher Coutlee, Eric Schwab); Trepanier Baer (Judy Ciccaglione); Victoria and Albert Museum (Freya Levett); YYZ Artists’ Outlet (Ana Barajas); and Sara Angelucci, Ingrid Baxter, Iain Baxter&, Lee Dickson, Spring Hurlbut, Suzy Lake, Kristie MacDonald, Mike Robinson, Thomas Ruff, Ed Ruscha, Eugen Sakhnenko, Taryn Simon, Michael Snow, Andrea Szilasi, Gabor Szilasi, Cara Weston, and Matthew Weston.

The ACI recognizes the additional private collectors who have given permission for their works to be published in this edition.

IMAGE SOURCES

Every effort has been made to secure permissions for all copyrighted material. The Art Canada Institute will gladly correct any errors or omissions.

Credit for Cover Image

Arnaud Maggs, *After Nadar, Pierrot Turning* (detail), 2012. (See below for details.)

Credits for Banner Images

Biography: Arnaud Maggs, *Self-Portrait* (detail), 1983. (See below for details.)

Key Works: Arnaud Maggs, *64 Portrait Studies* (detail), 1976–78. (See below for details.)

Significance & Critical Issues: Arnaud Maggs, *Contamination 140/141* (detail), 2007. (See below for details.)

Style & Technique: Arnaud Maggs, *Les factures de Lupé,* *recto/verso*, 1999–2001. (See below for details.)

Sources & Resources: Arnaud Maggs, *Répertoire* (detail), 1997. (See below for details.)

Where to See: Arnaud Maggs, *Travail des enfants dans l’industrie: Les étiquettes*, 1994. (See below for details.)

Credits for Works by Arnaud Maggs

*Additional Baby Pictures Used in Solo Show at Baldwin St. Gallery Showing Laurie, Toby, and Caitlan*, n.d. Collection of Library and Archives Canada, Ottawa (R7959-4035). © The Estate of Arnaud Maggs.

*After Nadar: Pierrot the Archivist*, 2012. Collection of the Art Gallery of Ontario, Toronto, purchased with the assistance of the Ivey Foundation Contemporary Art Fund and the support of the Canada Council for the Arts Acquisition Assistance Program, 2012 (2012/11.1). © The Estate of Arnaud Maggs.

*After Nadar: Pierrot the Collector*, 2012. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*After Nadar: Pierrot the Photographer*, 2012. Collection of the Art Gallery of Ontario, Toronto, purchased with the assistance of the Ivey Foundation Contemporary Art Fund and the support of the Canada Council for the Arts Acquisition Assistance Program, 2012 (2012/11.6). © The Estate of Arnaud Maggs.

*After Nadar: Pierrot Receives a Letter*, 2012. Collection of the Art Gallery of Ontario, Toronto, purchased with the assistance of the Ivey Foundation Contemporary Art Fund and the support of the Canada Council for the Arts Acquisition Assistance Program, 2012 (2012/11.4). © The Estate of Arnaud Maggs.

*After Nadar, Pierrot Turning*, 2012. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*André Kertész, 144 Views*, December 8, 1980. Collection of the National Gallery of Canada, Ottawa, purchased 1993 (37045). © The Estate of Arnaud Maggs. Photo credit: National Gallery of Canada.

*André Kertész, 144 Views* (Template for Installation), c.1980. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Art Associates “1945” Ad*, 1964. Collection of Library and Archives Canada, Ottawa (R7959). © The Estate of Arnaud Maggs.

Bepanten Roche brochure for Roche Pharmaceuticals (back cover), 1959. Collection of Library and Archives Canada, Ottawa (R7959-153). © The Estate of Arnaud Maggs.

Bepanten Roche brochure for Roche Pharmaceuticals (front cover), 1959. Collection of Library and Archives Canada, Ottawa (R7959-153). © The Estate of Arnaud Maggs.

Bepanten Roche brochure for Roche Pharmaceuticals (interior), 1959. Collection of Library and Archives Canada, Ottawa (R7959-153). © The Estate of Arnaud Maggs.

*Bernd and Hilla Becher*, 1980. Courtesy of Stephen Bulger Gallery, Toronto. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Cabbagetown Home*, March 7, 1976. Collection of Library and Archives Canada, Ottawa (R7959-1816). © The Estate of Arnaud Maggs.

*Caitlan Maggs* (related to *64 Portrait Studies*), c.1977. Collection of Library and Archives Canada, Ottawa (R7959-1969). © The Estate of Arnaud Maggs.

*The Canadian*, *The Toronto Star* (cover), January 14, 1978, portrait of Buffy Sainte-Marie by Arnaud Maggs. Collection of Library and Archives Canada, Ottawa (R7959-2-2-E). Courtesy of *The Canadian, The Toronto Star*. © The Estate of Arnaud Maggs.

*The Canadian, The Toronto Star* (cover), March 27, 1976, portrait of Ronnie Hawkins by Arnaud Maggs. Collection of Library and Archives Canada, Ottawa (R7959-2-2-E). Courtesy of *The Canadian, The Toronto Star*. © The Estate of Arnaud Maggs.

*Cercles chromatiques de M.E. Chevreul* (detail), 2006. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs.

*Chicken a la King*, 1953. Collection of Library and Archives Canada, Ottawa (R7959-3). © The Estate of Arnaud Maggs.

*The Complete Prestige 12” Jazz Catalogue* (detail 7001), 1988. Collection of the National Gallery of Canada, Ottawa, gift of Spring Hurlbut, Toronto, 2013 (46196.1-828). Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*The Complete Prestige 12” Jazz Catalogue* (installation view), 1999. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery. Photo credit: Gabor Szilasi.

*Contamination 140/141* (detail), 2007. Collection of the National Gallery of Canada, Ottawa, purchased 2013 (45662.1-15). © The Estate of Arnaud Maggs. Photo credit: National Gallery of Canada.

*Contamination 164/165* (detail), 2007. Collection of the National Gallery of Canada, Ottawa, purchased 2013 (45662.1-15). © The Estate of Arnaud Maggs. Photo credit: National Gallery of Canada.

Cover of *Jazz at Massey Hall, Volume One, Quintet* album, New York City: Debut Records, 1953. Collection of Library and Archives Canada, Ottawa (R7959-5474).

*The Dada Portraits: Marcel Duchamp*, 2010. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs.

*The Dada Portraits: Sophie Täuber*, 2010. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs.

Design and photography by Arnaud Maggs and Peter Croydon for “Frozen Desserts,” June 1957, article by Elaine Collett for *Chatelaine*. Courtesy Toronto Public Library. © *Chatelaine* / St. Joseph Communications.

Design for tire manufacturer Pirelli, 1959. Collection of Library and Archives Canada, Ottawa (R7959-137). © The Estate of Arnaud Maggs.

*Drawing for Myself*, 1964. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*48 Views*, 1981–83, installed at the Nickle Arts Museum, Calgary, 1984. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*48 Views, Jane Jacobs*, 1981–83. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*48 Views, Michael Snow*, 1981–83. Collection of the National Gallery of Canada, Ottawa, purchased in 2003 (2003.1.1-162). © The Estate of Arnaud Maggs.

*Fox*, 1963. Collection of Library and Archives Canada, Ottawa (R7959-23). © The Estate of Arnaud Maggs.

*Hotel Series* (details), 1991, installed at The Power Plant, Toronto, 1991. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery. Photo credit: Arnaud Maggs.

*How to Keep Your Food Safe in Summer*, 1962. Collection of Library and Archives Canada, Ottawa (R7959-20). © The Estate of Arnaud Maggs.

Illustration for *Toronto Life*, 1972. Courtesy of Toronto Public Library. © *Toronto Life* / St. Joseph Communications / The Estate of Arnaud Maggs.

*Joseph Beuys, 100 Frontal Views*, 1980, installed at The Power Plant, Toronto, 1999. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Joseph Beuys, 100 Frontal Views* (detail), 1980. Collection of the Art Gallery of Hamilton, gift of the Volunteer Committee, 1988 (1988.3409). Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Joseph Beuys, 100 Profile Views (detail), 1980. Collection of the Art Gallery of Hamilton, gift of the Canada Council Art Bank, the Walter and Duncan Gordon Charitable Foundation, Viola Depew and Friends of the Gallery, 1986 (86.3113). Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Joseph Beuys, 100 Profile Views, 1980, installed at The Power Plant, Toronto, 1999. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Julia Mustard IV*, 1975. Courtesy of Stephen Bulger Gallery. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Köchel Series: Eighteen Piano Sonatas (for Ed Cleary)* (detail), 1990. Collection of the National Gallery of Canada, Ottawa, gift of the artist, Toronto, 1996 (38375.1). © The Estate of Arnaud Maggs. Photo credit: National Gallery of Canada.

*Kunstakademie*, 1980. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Kunstakademie* (detail 128), 1980. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Kunstakademie (detail 131), 1980. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Kunstakademie* (detail 415), 1980. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Kunstakademie* (detail 417), 1980. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Kunstakademie* (details 192 & 197), 1980. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Ledoyen, Paris* (detail), August 1979. Collection of Library and Archives Canada, Ottawa (R7959-3221-7-F, Volume number: 790). © The Estate of Arnaud Maggs.

*Ledoyen Series, Working Notes* (detail), 1979. Collection of Library and Archives Canada, Ottawa (R7959-2-2-E). © The Estate of Arnaud Maggs.

*Ledoyen Series, Working Notes* (detail), 1979. Collection of Library and Archives Canada, Ottawa (R7959-3205-9-E, Vol. 790). © The Estate of Arnaud Maggs.

*Ledoyen Series, Working Notes*, 1979, installed at YYZ Artists’ Outlet, Toronto, in 1979. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Lee Dickson at Rippling Streams, the Maggs’ family cottage in the Laurentians, Quebec, September 1976. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Leonard Cohen*, 1977. Courtesy of Stephen Bulger Gallery, Toronto. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Les factures de Lupé, recto/verso*, 1999–2001, installed at Susan Hobbs Gallery, Toronto. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs. Photo credit: Isaac Applebaum.

*Let Me Try, I’ll Come Out Swinging*, 1960. Collection of Library and Archives Canada, Ottawa (R7959-471). © The Estate of Arnaud Maggs.

*Mennonite Women, Elora Gorge*, 1966. Collection of Library and Archives Canada, Ottawa (R7959-2179). © The Estate of Arnaud Maggs.

Note regarding *André Kertész, 144 Views* (1980), 1981. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Notification xiii* (detail), 1996, printed 1998. Collection of the National Gallery of Canada, Ottawa, purchased 1998 (39759.1-192) © The Estate of Arnaud Maggs.

*Notification xiii*, 1996, printed 1998, installed at the National Gallery of Canada, Ottawa, 2006. Collection of the National Gallery of Canada, Ottawa, purchased 1998 (39759.1-192). Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery. Photo credit: Laurence Cook.

Nupercainal ointment advertisement for CIBA, 1951. Collection of Library and Archives Canada, Ottawa (R7959-139). © The Estate of Arnaud Maggs.

Photograph for “G-R-R-R-REAT FAKES,” October 1968, article by Vivian Wilcox for *Chatelaine*. Courtesy of Toronto Public Library. © *Chatelaine* / St. Joseph Communications.

Photograph for “Restaurant Ledoyen,” November 12, 1977, *Canadian Magazine*. Collection of Library and Archives Canada, Ottawa (R7959-2-2-E). Courtesy of *The Canadian* / *The Toronto Star*. © The Estate of Arnaud Maggs.

Photographs for “Famous Last Words from Leonard Cohen,” June 1972, cover and article by Paul Saltzman for *Maclean’s*. Collection of the *Maclean’s* Archive. © Maclean’s / St. Joseph Communications.

Photographs for “Fantasy Living,” December 1, 1967, article by Marjorie Harris for *Maclean’s*. Collection of the *Maclean’s* Archive. © Maclean’s / St. Joseph Communications.

Photographs for “The Natural Superiority of Men,” May 1, 1969, article by Alexander Ross for *Maclean’s*. Collection of the *Maclean’s* Archive. © Maclean’s / St. Joseph Communications.

Photographs for “A Yesterday Christmas…for Grown-ups, A Today Christmas…for Children,” December 1, 1967, article by Marjorie Harris for *Maclean’s*. Collection of the *Maclean’s* Archive. © Maclean’s / St. Joseph Communications.

*Pop Over!*, 1964. Collection of Library and Archives Canada, Ottawa (R7959-325). © The Estate of Arnaud Maggs.

Portrait of Bill Teron for “A Most Uncommon Civil Servant,” March 1979, article by Stephen Kimber for *Canadian Business*. Courtesy of Toronto Public Library. © *Canadian Business* / St. Joseph Communications.

Portrait of Frank Stronach for “How Magna Got Big by Staying Small,” February 1978, article by Joanne Kates for *Canadian Business*. Courtesy of Toronto Public Library. © *Canadian Business* / St. Joseph Communications.

*Répertoire* (detail), 1997. Collection of the National Gallery of Canada, Ottawa, gift of the artist, Toronto, 2003 (2003.81.1-48). © The Estate of Arnaud Maggs.

*Répertoire*, 1997, installed at Susan Hobbs Gallery, Toronto. Collection of the National Gallery of Canada, Ottawa, gift of the artist, Toronto, 2003 (2003.81.1-48). Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery. Photo credit: Isaac Applebaum.

*Scrapbook (1)*, 2009. Collection of the MacLaren Art Centre, Barrie. © The Estate of Arnaud Maggs. Photo credit: André Beneteau.

*Self-Portrait*, 1983. Collection of the National Gallery of Canada, Ottawa (42556.1-12). © The Estate of Arnaud Maggs. Photo credit: National Gallery of Canada.

*64 Portrait Studies* (detail), 1976–78. CMCP Collection, Collection of the National Gallery of Canada, Ottawa, purchased 1985 (EX-85-100.1-64). © The Estate of Arnaud Maggs.

*64 Portrait Studies* (details), 1976–78. CMCP Collection, Collection of the National Gallery of Canada, Ottawa, purchased 1985 (EX-85-100.1-64) © The Estate of Arnaud Maggs.

*64 Portrait Studie*s, 1976–78, installed at David Mirvish Gallery, Toronto, 1978. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Sketch of *Joseph Beuys, 100 Profile Views*, c.1980. Collection of Library and Archives Canada, Ottawa (R7959-295-X-E, “Notebook,” volume 835, item no. 4004078). © The Estate of Arnaud Maggs.

*Snake*, 1963. Collection of Library and Archives Canada, Ottawa (R7959-22). © The Estate of Arnaud Maggs.

*Spine*, 1988. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs.

Spine and cover of 13th Art Directors Club of Toronto Annual, 1961. Collection of Library and Archives Canada, Ottawa (R7959-358). © The Estate of Arnaud Maggs.

Sport Togs Limited brochure cover (*We’ve Great News!*), 1951. Collection of Library and Archives Canada, Ottawa (R7959-141). © The Estate of Arnaud Maggs.

Sport Togs Limited brochure interior (*We’ve Great News!*), 1951. Collection of Library and Archives Canada, Ottawa (R7959-141). © The Estate of Arnaud Maggs.

*Three Small Rooms*, Windsor Arms Hotel, Toronto, 1968. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Three Small Rooms (detail), 1968. Collection of Library and Archives Canada, Ottawa (R7959-677-2-E, Volume number: 856). © The Estate of Arnaud Maggs.

*3269/3077* (installation view), 1986. Collection of the Art Gallery of Hamilton, gift of the artist, 1994 (1994.41). Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*Toby Maggs*, September 1, 1966. Collection of Library and Archives Canada, Ottawa (R7959-4082). © The Estate of Arnaud Maggs.

*Travail des enfants dans l’industrie: Les étiquettes*, 1994, installed at Susan Hobbs Gallery, Toronto. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery. Photo credit: Isaac Applebaum.

*Travail des enfants dans l’industrie: Les étiquettes* (detail), 1994. Collection of the National Gallery of Canada, purchased 1995 (37822.1-198). © The Estate of Arnaud Maggs.

*25 Trucks Like Mine*, n.d. Collection of Library and Archives Canada, Ottawa, purchased from the artist in 2005 (R7959-5469). © The Estate of Arnaud Maggs.

*Use Me On Your Next Campaign*, 1960. Collection of Library and Archives Canada, Ottawa (R7959-469). © The Estate of Arnaud Maggs.

*Variations 1*, 1972. Collection of Library and Archives Canada, Ottawa (R7959-510). © The Estate of Arnaud Maggs.

*Variations 2*, 1972. Collection of Library and Archives Canada, Ottawa (R7959-511). © The Estate of Arnaud Maggs.

*Variations 3*, 1972. Collection of Library and Archives Canada, Ottawa (R7959-512). © The Estate of Arnaud Maggs.

*Variations 4*, 1972. Collection of Library and Archives Canada, Ottawa (R7959-513). © The Estate of Arnaud Maggs.

*Variations 5*, 1972. Collection of Library and Archives Canada, Ottawa (R7959-514). © The Estate of Arnaud Maggs.

*Werner’s Nomenclature of Colours—Green*, 2005. Collection of The Robert McLaughlin Gallery, Oshawa, purchased with assistance of a Canada Council for the Arts Acquisition Assistance grant, 2005 (2005MA7a-m). © The Estate of Arnaud Maggs.

*Werner’s Nomenclature of Colours—Orange*, 2005. Collection of The Robert McLaughlin Gallery, Oshawa, purchased with assistance of a Canada Council for the Arts Acquisition Assistance grant, 2005 (2005MA7a-m). © The Estate of Arnaud Maggs.

William R. Templeton Studios advertisement, c.1950–55. Collection of Library and Archives Canada, Ottawa (R7959-100). © The Estate of Arnaud Maggs.

Credits for Photographs and Works by Other Artists

*A.6 Pussy Galore (Honor Blackman), 1964, Birds of the West Indies*, 2013, by Taryn Simon. © Taryn Simon. Courtesy Gagosian.

“Arnaud Maggs,” *Idea: International Advertising Art and Selling Visual Communication in Canada* 7, no. 41, June 1960. Collection of the author. © Seibundo Shinkosha Publishing Co., Ltd.

Arnaud Maggs, Toronto, c.1971, photograph possibly by Lee Dickson. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Arnaud Maggs, Toronto, 1977, photograph by Lee Dickson. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Arnaud Maggs and his mother, Enid Maggs, at the beach, July 1930, photographer unknown. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Arnaud Maggs as a child on a family member’s motorcycle, Montreal, c.1930s, photographer unknown. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Arnaud Maggs, his mother, Enid Maggs, his father, Cyril Maggs, and two friends, dining at the *Au Lutin Qui Bouffe* restaurant, Montreal, 1945, photographer unknown. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Arnaud Maggs on a ship, June 1930, photographer unknown. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

Arnaud Maggs with a camera around his neck, hopping the fence between his home and his neighbours’ in Don Mills, Ontario, c.1963, photographer unknown. Collection of the author.

*Authorization*, 1969, by Michael Snow. Collection of the National Gallery of Canada, Ottawa (15839). © Michael Snow. Photo credit: National Gallery of Canada.

*Aviary (Female Passenger Pigeon/extinct)*, 2013, by Sara Angelucci. Courtesy of Stephen Bulger Gallery, Toronto. © Sara Angelucci.

*B.45 Hasselblad Camera Signature Gun, 1989, Birds of the West Indies*, 2013, by Taryn Simon. © Taryn Simon. Courtesy Gagosian.

*Bauhausbücher 8, L. Moholy-Nagy: Malerei, Fotografie, Film*, 1927, by László Moholy-Nagy. Collection of the Museum of Modern Art, New York, Jan Tschichold Collection, Gift of Philip Johnson (767.1999). © 2022 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.

*Beatrice*, 1866, by Julia Margaret Cameron. Collection of the Art Gallery of Ontario, Toronto, Gift of Patricia Regan, in memory of Dr. Arthur Rubinoff, 2013 (2013/368). © Art Gallery of Ontario.

*Circular Walk Inside the Arctic Circle Around Inuvik, N.W.T.*, 1969, by N. E. Thing Co. Collection of the Morris and Helen Belkin Art Gallery, University of British Columbia, Vancouver, gift of IAIN BAXTER& and Ingrid Baxter, 1995 (BG1394). Courtesy of the Morris and Helen Belkin Art Gallery. © N. E. Thing Co. / IAIN BAXTER& and Ingrid Baxter. Photo credit: Howard Ursuliak.

Cover of *Arnaud Maggs*, 2013, featuring Arnaud Maggs, *Joseph Beuys, 100 Frontal Views* (detail), 1980. Courtesy of Steidl Publishers. © The Estate of Arnaud Maggs / Steidl Publishers.

Cover of *Border Crossings*, May 2012, featuring Arnaud Maggs, *After Nadar, Pierrot Turning* (detail), 2012. Courtesy Susan Hobbs Gallery, Toronto. *Border Crossings*, Volume 31, Number 2, Issue No 122. © The Estate of Arnaud Maggs / Border Crossings. Photo credit: Tony Hafkenscheid.

Cover of the Westmount High School yearbook (*Vox Ducum*), Westmount, Quebec, 1944. Collection of Library and Archives Canada, Ottawa (R7959-5523).

*Design with Type* (cover), 1952, by Carl Dair. © Carl Dair / Pellegrini & Cudahy, New York.

*Dual Portrait of Arnaud Maggs*, 2002, by Mike Robinson. Collection of Library and Archives Canada, Ottawa (R9382-1-X-E, Volume number: 1). © Mike Robinson.

*Existenz*, 1989, by Hanne Darboven. Ydessa Hendeles Art Foundation. © Estate of Hanne Darboven / SOCAN (2021).

The first anthropometric profile of Henri-Léon Scheffer, a French criminal, 1902, by Alphonse Bertillon. Courtesy of Head of Service Régional d’Identité Judiciaire de Paris / Wikimedia Commons.

*5 x 20 Altstadt Rectangle*, 1967, by Carl Andre. Collection of the Solomon R. Guggenheim Museum, New York, New York Panza Collection, 1991 (91.3667). © Carl Andre / VAGA at Artists Rights Society (ARS), New York / SOCAN, Montreal (2021).

Installation view of *After Nadar, Pierrot Turning*, 2012, at the Ryerson Image Centre in *Scotiabank Photography Award: Arnaud Maggs*, 2014. Courtesy of the Ryerson Image Centre. © The Estate of Arnaud Maggs. Photo credit: Eugen Sakhnenko.

Installation view: *Introducing Suzy Lake*, November 5, 2014 – March 22, 2015, Art Gallery of Ontario. Installation artwork: *Are You Talking to Me ? # 1 – 11*. Courtesy of the Artist and Georgia Scherman Projects, Toronto. © Suzy Lake. Photo © Art Gallery of Ontario.

Installation view of *The Photographer’s Eye* at the Museum of Modern Art, May 27, 1964–August 23, 1964. Collection of Museum of Modern Art Archives, New York, IN741.6. Courtesy of Museum of Modern Art Archives, New York / Art Resource. Photo credit: Rolf Peterson.

*Le Jardin du sommeil*, 1998, by Spring Hurlbut, installed at the Musée d’art contemporain de Montréal in 2009. Collection Musée d’art contemporain de Montréal. © Spring Hurlbut. Photo credit: Richard-Max Tremblay.

Maggs’s father, Cyril Maggs, on a ship to France as part of Sun Life’s Montreal delegation to the unveiling of the Canadian National Vimy Memorial, July 1936, photographer unknown. Courtesy of The Estate of Arnaud Maggs. © The Estate of Arnaud Maggs / Courtesy Stephen Bulger Gallery.

*The Man Who Died* (cover), 1947, by D. H. Lawrence, illustration by Alvin Lustig. Collection of the Los Angeles County Museum of Art, gift of Tamar Cohen, 2015 (M.2015.204.176). Image courtesy of Los Angeles County Museum of Art / Art Resource. © New Directions Publishing / Alvin Lustig.

*Marilyn Diptych*, 1962, by Andy Warhol. Collection of Tate Modern, London.

*Mme. Alexis Tremblay, Ile-Aux-Coudres, Québec*, 1970, by Gabor Szilasi. Courtesy of Quarantined Museum, a project by the Musée d’art de Joliette, Quebec. © Gabor Szilasi.

*Monday Night* (cover), 1947, by Kay Boyle, illustration by Alvin Lustig. Collection of the Cooper Hewitt, Smithsonian Design Museum, New York, gift of Tamar Cohen and Dave Slatoff (1993-31-165-9). Image courtesy of the Cooper Hewitt. © New Directions Publishing / Alvin Lustig.

*New York*, from the United States Series, c.1946–49, by Jerome Snyder. Collection of the Smithsonian American Art Museum, Washington, D.C., Gift of Container Corporation of America (1984.124.272).

*Nude Descending a Staircase (No. 2)*, 1912, by Marcel Duchamp. Collection of the Philadelphia Museum of Art, The Louise and Walter Arensberg Collection (1950-134-59). © Association Marcel Duchamp / ADAGP, Paris / SOCAN, Montreal (2021).

*Nude on Sand, Oceano*, 1936, by Edward Weston. Collection of the National Gallery of Canada, Ottawa, gift of Dorothy Meigs Eidlitz, St. Andrews, New Brunswick, 1968 (33721). © Center for Creative Photography, Arizona Board of Regents. Photo credit: National Gallery of Canada.

*Observations* (cover), 1959, by Richard Avedon and Truman Capote. © Simon & Schuster, New York.

Page from the Westmount High School yearbook (*Vox Ducum*), Westmount, Quebec, 1944. Collection of Library and Archives Canada, Ottawa (R7959-5523).

*Pierrot photographe*, between 1854 and 1855, by Adrien Tournachon. Collection of Musée Carnavalet, Histoire de Paris (PH4837).

*Pole Station Antarctica: 8 am, December 15th 1956* (detail), 2012–present, by Kristie MacDonald. Courtesy of the artist. © Kristie MacDonald.

*Porträt 1984 (T. Bernstein)*, 1984, from Porträts, 1983–86, by Thomas Ruff. Fotomuseum Winterthur (2003-029-005). Courtesy the artist and David Zwirner. © THOMAS RUFF / SOCAN (2022).

Poster for Falconbridge Ltd. (“Granular Nickel”), 1960s, by Theo Dimson. Courtesy of Granular Nickel / Freeport-McMoRan.

*The Princess of Tomboso* (cover), 1960, by Frank Newfeld. © Constable Young Books Limited, London / Hachette, UK.

*Push Pin Monthly Graphic #24, Entertaining Boxes*, 1959, by Seymour Chwast. Collection of the Seymour Chwast Archive.

Royal Canadian Air Force poster (*Join the Team!*), between 1939 and 1945, by Ted Harris. Canadian War Poster Collection, Rare Books and Special Collections, McGill University Library, Montreal (W92.R16.F3).

*Self-portrait*, c.1983, by Michael Mitchell. Courtesy of the Estate of Michael Mitchell. © The Estate of Michael Mitchell.

Still from the film *Blow-Up*, 1966, directed by Michelangelo Antonioni. Courtesy of the BFI National Archive. © Warner Bros. Entertainment Inc.

Still from the film *Spring & Arnaud*, 2013, directed by Katherine Knight and Marcia Connolly. Courtesy of Katherine Knight. © Site Media.

Still from the film *Spring & Arnaud*, 2013, directed by Katherine Knight and Marcia Connolly. Courtesy of Katherine Knight. © Site Media Inc.

Still from the film *Spring & Arnaud*, 2013, directed by Marcia Connolly and Katherine Knight. Courtesy of Katherine Knight. © Site Media Inc.

*Street with Hotel Sign, Hotel de Sens, rue de l’Hôtel de Ville, Paris*, early 1900s, by Eugène Atget. Collection of the Metropolitan Museum of Art, New York, the Rubel Collection, gift of William Rubel, 1997 (1997.398.2). Courtesy of The Metropolitan Museum of Art / Wikimedia Commons.

*Twentysix Gasoline Stations*, 1963, by Ed Ruscha. Collection of the Victoria and Albert Museum, London (L.6449-1977). © The Estate of Ed Ruscha/ Victoria and Albert Museum, London.

*USSR Russische Ausstellung*, 1929, by El Lissitzky. Collection of the Museum of Modern Art, New York, purchase fund, Jan Tschichold Collection (353.1937).

*Water Towers*, 1968–80, by Bernd and Hilla Becher. Collection of the Solomon R. Guggenheim Museum, New York, purchased with funds contributed by Mr. and Mrs. Donald Jones, 1981(81.2793). © Estate Bernd and Hilla Becher, represented by Max Becher; courtesy Die Photographische Sammlung/SK Stiftung Kultur—Bernd and Hilla Becher Archive, Cologne.

“The Weird and Wonderful House of Arnaud Maggs,” August 7, 1965, article for *Star Weekly*, by Leah Gringas, photographs by Ray Weber. Collection of Library and Archives Canada, Ottawa (R7959-5478, Ref: R7959-313-8-E, Volume number: 837). © *Star Weekly*.

Book Credits

Publisher

Sara Angel

Deputy Director

Jocelyn Anderson

French Editorial Director
Annie Champagne

Senior Designer

Simone Wharton

Editors

Jocelyn Anderson and Rosie Prata

Copyeditor

Chandra Wohleber

Proofreader

Tilman Lewis

Translator

Christine Poulin

French Copyeditor

Geneviève Blais

French Proofreader

Ginette Jubinville

Editorial & Design Assistant

Barbara Campbell

Image Research Associate
Jennifer Orpana

Design Template
Studio Blackwell

Copyright

Art Canada Institute
Massey College, University of Toronto
4 Devonshire Place
Toronto, ON M5S 2E1

Library and Archives Canada Cataloguing in Publication

Title: Arnaud Maggs : life & work / Anne Cibola.
Names: Cibola, Anne, author. | Maggs, Arnaud, 1926-2012. Photographs. Selections. | Art Canada
Institute, publisher.
Identifiers: Canadiana 20220149127 | ISBN 9781487102760 (HTML) | ISBN 9781487102777 (PDF)
Subjects: LCSH: Maggs, Arnaud, 1926-2012. | LCSH: Maggs, Arnaud, 1926-2012—Criticism and
interpretation. | LCSH: Photographers—Canada—Biography. | LCGFT: Biographies.
Classification: LCC TR140.M338 C53 2022 | DDC 779.092—dc23