In this self-portrait, and others from around this time, Vincent portrays himself with his eldest son, Cyprien. Before the democratizing effect of photography became widespread, the painted family portrait was a mark of pride in a family’s lineage. This painting can also be understood as a conscious response to those who had predicted the disappearance of the Hurons. In the early years of his career Vincent sought to define his identity, both professional and individual, and to document his status as a father and an artist.