Curated by Roald Nasgaard

Yves Gaucher (1934–2000) was one of Canada’s foremost abstract painters of the second half of the twentieth century. He first made his mark as an innovative printmaker; after turning to painting in 1964 and for the rest of his life, he pursued his abstract style with relentless self-criticism and uncommon purity. Gaucher produced highly ordered, geometrical, and tensely planar images that pushed the boundaries of Canadian painting to explore and question our experience of colour and time. For more on Yves Gaucher read Roald Nasgaard’s Yves Gaucher: Life & Work.

 

Roald Nasgaard was the co-curator of the exhibition Mystical Landscapes: Masterpieces from Monet, Van Gogh and More (Art Gallery of Ontario, Toronto; Musée d’Orsay, Paris) and the curator of Higher States: Lawren Harris and His American Contemporaries (McMichael Canadian Art Collection, Kleinburg; Glenbow Museum, Calgary; Americas Society, New York). 


  • Asagao

    Asagao 1961

  • In Homage to Webern No. 2 (En hommage à Webern no. 2)

    In Homage to Webern No. 2 (En hommage à Webern no. 2) 1963

  • Le cercle de grande réserve

    Le cercle de grande réserve 1965

  • Dusk, Calm, Signals

    Dusk, Calm, Signals 1966

  • Blue Raga

    Blue Raga 1967

  • Alap

    Alap 1967

  • Two Blues, Two Greys

    Two Blues, Two Greys 1976

  • Jericho 1: An Allusion to Barnett Newman (Une allusion à Barnett Newman)

    Jericho 1: An Allusion to Barnett Newman (Une allusion à Barnett Newman) 1978

  • T.D.S.

    T.D.S. 1988

  • B2 + w Ps

    B2 + w Ps 1989–90

  • Yellow, Blue & Red IV (Jaune, bleu & rouge IV)

    Yellow, Blue & Red IV (Jaune, bleu & rouge IV) 1999

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