This work is a fine example of Thomson’s new-found style and power during his final year of life and work. The composition is a miracle of simplicity: three broad bands across the width of the panel interrupted, dramatically, by a vertical, scrawny shrimp of a tree with yellow leaves and by two equally skinny, though taller, leafless stems. What makes it vivid and eye-catching are the two splashes of brilliant red emblazoned in the centre foreground. These scarlet flags against the water’s blue (a colour Thomson seldom used in this way) help set the perspective, just as the saplings in front give us something to look around or through to satisfy our curiosity.