In this painting Chambers uses a radically fragmented visual presentation to convey the dynamism of a casual domestic conversation between his wife, Olga, on the left, and her friend Mary. He describes it in terms that underline his interest in film: “A painting gets put together just like an experience—in particles. [This work] isn’t the description of a visual moment; it’s the accumulation of experienced interiors brought into focus. . . . Sense combinations complement one another to enrich perception.”