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William Brymner (1855–1925) was committed to personal innovation throughout his career. An enthusiastic traveller, Brymner was known for landscapes that depict places in Canada and Europe, yet he also created portraits, female nudes, and seascapes. Although today he is remembered for his oil paintings, he was highly regarded for his work in watercolour as well. The following selection reveals how Brymner rejected the notion of emulating a specific artistic style even though he was interested in a range of painters, from the Old Masters to his Canadian contemporaries. This conviction explains the diversity of his work and his important legacy as an art teacher with the Art Association of Montreal.


  • Mountain Hill Looking Up, 1876

    Mountain Hill Looking Up 1876

  • A Wreath of Flowers, 1884

    A Wreath of Flowers 1884

  • Border of the Forest of Fontainebleau, 1885

    Border of the Forest of Fontainebleau 1885

  • Giving Out Rations to the Blackfoot Indians, NWT, 1886

    Giving Out Rations to the Blackfoot Indians, NWT 1886

  • In County Cork, Ireland, 1892

    In County Cork, Ireland 1892

  • In the Selkirks near Glacier House, c.1894

    In the Selkirks near Glacier House c.1894

  • The Grey Girl, 1897

    The Grey Girl 1897

  • Early Moonrise in September, 1899

    Early Moonrise in September 1899

  • Saint-Eustache, Quebec, 1905

    Saint-Eustache, Quebec 1905

  • Kenneth R. Macpherson, K.C., 1909

    Kenneth R. Macpherson, K.C. 1909

  • The Coast at Louisbourg , 1914

    The Coast at Louisbourg 1914

  • Nude Figure, 1915

    Nude Figure 1915

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