William Brymner (1855–1925) was committed to personal innovation throughout his career. An enthusiastic traveller, Brymner was known for landscapes that depict places in Canada and Europe, yet he also created portraits, female nudes, and seascapes. Although today he is remembered for his oil paintings, he was highly regarded for his work in watercolour as well. The following selection reveals how Brymner rejected the notion of emulating a specific artistic style even though he was interested in a range of painters, from the Old Masters to his Canadian contemporaries. This conviction explains the diversity of his work and his important legacy as an art teacher with the Art Association of Montreal.
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Mountain Hill Looking Up 1876
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A Wreath of Flowers 1884
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Border of the Forest of Fontainebleau 1885
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Giving Out Rations to the Blackfoot Indians, NWT 1886
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In County Cork, Ireland 1892
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In the Selkirks near Glacier House c.1894
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The Grey Girl 1897
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Early Moonrise in September 1899
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Saint-Eustache, Quebec 1905
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Kenneth R. Macpherson, K.C. 1909
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The Coast at Louisbourg 1914
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Nude Figure 1915
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About the Author
Jocelyn Anderson is an art historian whose recent research focuses on modern Canadian art and on art and the British Empire.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.