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With conflict as the catalyst for its production, war art contains an inherent dynamism. In these selected works, starting from the early years of settlement in Canada and extending to the present day, art tells the story of how the country has imagined itself as a military power. From images of great leaders and soldiers on the front lines to loved ones left behind and witnesses reflecting on battles at home and abroad, diverse points of view are presented in multidisciplinary formats, including paintings, photographs, monuments, and decorated objects that capture the complex feelings brought to the surface in times of war.


  • Two Row Wampum Belt

    Two Row Wampum Belt 1613

  • Sa Ga Yeath Qua Pieth Tow, King of the Maquas

    John Verelst, Sa Ga Yeath Qua Pieth Tow, King of the Maquas 1710

  • A View of Fort La Galette, Indian Castle, and Taking a French Ship of War on the River St. Lawrence, by Four Boats of One Gun Each of the Royal Artillery Commanded by Captain Streachy

    Thomas Davies, A View of Fort La Galette, Indian Castle, and Taking a French Ship of War on the River St. Lawrence, by Four Boats of One Gun Each of the Royal Artillery Commanded by Captain Streachy 1760

  • War Exploit Robe, c.1830–50

    War Exploit Robe, probably Niitsitapi (Blackfoot) c.1830–50

  • Ball-headed Club, mid 1800s

    Anonymous, Ball-headed Club mid 1800s

  • Chief Oshawana (John Naudee), 1858

    Anonymous, Chief Oshawana (John Naudee) 1858

  • Sewing Up the Dead

    James Peters, “Sewing Up the Dead” 1885

  • Joseph Brant Monument, 1886

    Percy Wood, Joseph Brant Monument 1886

  • Commemorative Plate

    Commemorative Plate n.d.

  • Canada and the Call, 1914

    J.E.H. MacDonald, Canada and the Call 1914

  • Home on Furlough, 1915

    Marion Long, Home on Furlough 1915

  • 29th Infantry Battalion advancing over “No Man’s Land” through the German barbed wire and heavy fire during the Battle of Vimy Ridge

    William Ivor Castle, 29th Infantry Battalion Advancing over “No Man’s Land” through the German Barbed Wire and Heavy Fire during the Battle of Vimy Ridge 1917

  • A Copse, Evening, 1918

    A.Y. Jackson, A Copse, Evening 1918

  • For What?, 1918

    Frederick Varley, For What? 1918

  • Convoy in Bedford Basin, c.1919

    Arthur Lismer, Convoy in Bedford Basin c.1919

  • Henrietta Mabel May, Women Making Shells, 1919

    Henrietta Mabel May, Women Making Shells 1919

  • Lest We Forget, 1934

    Frank Badgley, Lest We Forget 1934

  • Canadian National Vimy Memorial, 1921–36

    Walter S. Allward, Canadian National Vimy Memorial 1921–36

  • The Soldier’s Wife, 1941

    Elizabeth Cann, The Soldier’s Wife 1941

  • Fangs of Fire, 1944–45

    Floyd Rutledge, Fangs of Fire 1944–45

  • Tashme at Dusk, July/August 1944

    Kazuo Nakamura, Tashme at Dusk, July/August 1944 1944

  • Private Roy, 1946

    Molly Lamb Bobak, Private Roy 1946

  • Night Target, Germany, 1946

    Miller Brittain, Night Target, Germany 1946

  • Bodies in a Grave, 1946

    Alex Colville, Bodies in a Grave 1946

  • Drowning Sailor, 1946

    Jack Nichols, Drowning Sailor 1946

  • Parachute Riggers, 1947

    Paraskeva Clark, Parachute Riggers 1947

  • John Scott, Second Strike, 1981

    John Scott, Second Strike 1981

  • Error

    Allan Harding MacKay, Error 1993

  • The Wall, 1995

    William MacDonnell, The Wall 1995

  • What They Gave, 2006

    Gertrude Kearns, What They Gave 2006

  • Althea Thauberger, Kandahar International Airport, 2009

    Althea Thauberger, Kandahar International Airport 2009

  • CHIMO: Collier’s Canadian Forces Artists Program Story, 2011

    David Collier, CHIMO: Collier’s Canadian Forces Artists Program Story 2011

  • Charles Stankievech, The Soniferous Æther of the Land Beyond the Land Beyond, 2012

    Charles Stankievech, The Soniferous Æther of the Land Beyond the Land Beyond 2012

  • Trench, 2017

    Adrian Stimson, Trench 2017

  • Miss Chief’s Wet Dream, 2018

    Kent Monkman, Miss Chief’s Wet Dream 2018

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