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In less than a decade as a painter, Tom Thomson produced around fifty canvases and four hundred or more small sketches on a variety of boards and panels, none much larger than 21.6 x 26.7 cm. Today they are regarded as some of Canada’s strongest and most popular images of the North, even if the sites Thomson painted constituted much less pristine wilderness than is usually acknowledged. Many other artists lived longer and created more works than he did, yet achieved much less.

  • Burns’ Blessing

    Burns’ Blessing 1906

  • Drowned Land

    Drowned Land 1912

  • Northern River

    Northern River 1914–15

  • Sunset

    Sunset 1915

  • Pine Trees at Sunset

    Pine Trees at Sunset 1915

  • Fire-Swept Hills

    Fire-Swept Hills 1915

  • Approaching Snowstorm

    Approaching Snowstorm 1915

  • Opulent October

    Opulent October 1915–16

  • Nocturne: Forest Spires

    Nocturne: Forest Spires 1916

  • Autumn, Algonquin Park

    Autumn, Algonquin Park 1916

  • First Snow in Autumn

    First Snow in Autumn 1916

  • Cranberry Marsh

    Cranberry Marsh 1916

  • The Pointers

    The Pointers 1916–17

  • The West Wind

    The West Wind 1916-17

  • The Jack Pine

    The Jack Pine 1916–17

  • After the Storm

    After the Storm 1917

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