Suzy Lake’s artworks reflect her lifelong interest in challenging the limitations of representation and questioning what is possible when an artist creates an image. Using cameras and, most often, her own body as the subject, Lake pushes the photographic medium to explore the relationship between art and its viewers and, through performance and the manipulation of physical photographs, issues of identity and gender, control, and resistance. She has tried to reveal how lenses shape the world and how the particular characteristics of the camera alter our understanding of the images they produce.
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Annual Feast 1969–72
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On Stage 1972–74
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Miss Chatelaine 1973
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Suzy Lake as Gary William Smith 1973–74
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The Natural Way to Draw 1975
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Choreographed Puppets 1976–77
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ImPositions #1 1977
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Are You Talking to Me? 1978–79
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Pre-Resolution: Using the Ordinances at Hand 1983–85
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Authority Is an Attribute … part 2 1991
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Re-Reading Recovery 1994–99
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Forever Young 2000
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Beauty at a Proper Distance / In Song 2001–2
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Extended Breathing in the Garden 2008–10
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Reduced Performing: Breathing #5 2009–11
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Performing Haute Couture #1 2014
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About the Author
Erin Silver is assistant professor in the Department of Art History, Visual Art & Theory at the University of British Columbia.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.