Trained in England and France as a portraitist, Sophie Pemberton embraced the academic realist style, creating images that were accurate reflections of specific individuals. She also painted exquisite and technically difficult figure studies of leisured women as well as genre scenes of people at work. Away from the studio, she broadened her interests and her style, incorporating Impressionist qualities in her landscapes and urban views. In midlife, family tragedies overwhelmed her for a few years and, later, with eyesight failing, she focused on decorative domestic art inspired by Dutch and Flemish painters of mythological birds and detailed floral compositions.
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Life drawing of a male 1893
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Daffodils 1897
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Little Boy Blue 1897
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Bibi la Purée 1900
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Un Livre Ouvert 1900
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Spring 1902
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Caudebec-en-Caux 1903
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Sarah, Lady Crease 1907
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Mosquito Island 1907
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Time and Eternity 1908
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Driveway of Moulton Combe, Oak Bay 1921
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Serving tray with hand-painted decoration by artist 1921
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About the Author
Dr. Kathryn Bridge is Curator of History and Art (Emerita) at the Royal BC Museum, Victoria.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.