Pitseolak Ashoona produced a vast body of work beginning in the late 1950s, when she shifted from sewing to drawing, until her death in 1983. As she taught herself to draw, she often worked in series, both stylistic and thematic, until she achieved the effect she sought. The key works selected here are each outstanding in their execution and collectively reflect the full range of Pitseolak’s ideas and achievements.
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Tattooed Woman 1960
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The Critic c. 1963
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Untitled (Birds Flying Overhead) c. 1966–67
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Innukshuk Builders 1968
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Portrait of Ashoona c. 1970
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Legend of the Woman Who Turned into a Narwhal c. 1974
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Summer Camp Scene c. 1974
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Drawing for print Memories of Childbirth 1976
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The Shaman’s Wife 1980
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Untitled (Solitary Figure on the Landscape) c. 1980
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About the Author
Christine Lalonde is Curator of Indigenous Art at the National Gallery of Canada.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.