This selection of sketches, studies, and oil paintings reveals the trajectory of Paul Kane’s career from painter of society portraits to painter of the Aboriginal peoples of Canada, their lands, and customs. The works have been chosen to highlight his technical, aesthetic, and conceptual approaches, including his use of the camera lucida in the field. Many of these works showcase Kane’s intentions as well as issues of modern interpretation.
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Freeman Schermerhorn Clench c. 1834–36
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Portrait of John Henry Lefroy c. 1845–46
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Kee-akee-ka-saa-ka-wow 1846
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The Buffalo Pound c. 1846–49
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Medicine Pipe Stem Dance 1848
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Flat Head Woman and Child c. 1849–52
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The Cackabakah Falls c. 1849–56
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Fort Edmonton c. 1849–56
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Cunnawa-bum c. 1849–56
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The Constant Sky c. 1849–56
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The Death of Omoxesisixany 1860
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About the Author
Arlene Gehmacher is Curator of Canadian Paintings, Prints & Drawings, Department of World Cultures, Royal Ontario Museum.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.