Though accomplished in producing floral still-life oil paintings, with the rose a favourite subject, Mary Hiester Reid (1854–1921) produced quite a diverse oeuvre. She created interior scenes, garden scenes, and landscapes, as well as paintings inspired by her travels in Europe and urban moonlit views. Hiester Reid’s extensive academic training in composition, meticulous sense of colour, and sensitivity to the effects of light are clearly illustrated in these key works. Also evident is a keen awareness of the influential artistic strategies of her day—Impressionism, the Aesthetic movement, and Tonalist art.
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Chrysanthemums 1891
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Chrysanthemums: A Japanese Arrangement c.1895
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Studio in Paris 1896
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Castles in Spain c.1896
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Study for “An Idle Hour” c.1896
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A Harmony in Grey and Yellow 1897
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Looking East 1899
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At Twilight, Wychwood Park 1911
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A Fireside 1912
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Morning Sunshine 1913
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A Study in Greys c.1913
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Hollyhocks 1914
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About the Author
Dr. Andrea Terry has researched and engaged in critical feminist art histories and art practices for the past fifteen years.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.