Marion Nicoll navigated life as a woman artist to establish her own distinct voice in a male-dominated art world. She began in the later 1920s and 1930s, painting naturalistic scenes while teaching design and craft. Throughout the 1940s and 1950s she became recognized for her batiks and experimented privately with automatism. In 1959 she made the transition to hard-edge abstraction and by the early 1960s emerged as one of Canada’s most important painters.


  • Marion Nicoll, Portrait of Florence Mackay, 1937

    Portrait of Florence Mackay 1937

  • Marion Nicoll, Chinook, 1945

    Chinook 1945

  • Marion Nicoll, Untitled (Automatic Drawing), 1948

    Untitled (Automatic Drawing) 1948

  • Marion Nicoll, Batik, c.1950

    Batik c.1950

  • Marion Nicoll, Thursday’s Model, 1959

    Thursday’s Model 1959

  • Marion Nicoll, Alberta IV: Winter Morning, 1961

    Alberta IV: Winter Morning 1961

  • Marion Nicoll, Ancient Wall, 1962

    Ancient Wall 1962

  • Marion Nicoll, Calgary II: The Ugly City, 1964

    Calgary II: The Ugly City 1964

  • Marion Nicoll, February 1967, 1967

    February 1967 1967

  • Marion Nicoll, January ’68, 1968

    January ’68 1968

  • Marion Nicoll, Journey to the Mountains: Approach, The Mountains, Return, 1968–69

    Journey to the Mountains: Approach, The Mountains, Return 1968–69

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