Marion Nicoll navigated life as a woman artist to establish her own distinct voice in a male-dominated art world. She began in the later 1920s and 1930s, painting naturalistic scenes while teaching design and craft. Throughout the 1940s and 1950s she became recognized for her batiks and experimented privately with automatism. In 1959 she made the transition to hard-edge abstraction and by the early 1960s emerged as one of Canada’s most important painters.
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About the Author
Catharine Mastin is an independent scholar and curator and an Adjunct Member of the Faculty of Graduate Studies in Art History at York University, Toronto.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.