As a young artist, Kent Monkman experimented with abstraction, but he has become famous for representational works that draw on historic Western painting and contemporary popular culture to confront colonial realities. In addition to his mastery of medieval and Renaissance iconography, Monkman has a finely tuned understanding of the history of painting, particularly of the grand European works of the seventeenth and eighteenth centuries. In his art, disparate sources converge and are recontextualized in relation to Indigeneity, sexuality, nationalism, and climate change, emphasizing that the allegories of the past are warnings for the future.
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Shall We Gather at the River 2001
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Jack Pine 2001
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Study for Artist and Model 2003
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The Impending Storm 2004
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Group of Seven Inches 2004 and 2005
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The Triumph of Mischief 2007
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Lot’s Wife 2012
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Miss America 2012
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Le Petit déjeuner sur l’herbe 2014
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Casualties of Modernity 2015
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The Daddies 2016
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The Scream 2017
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Resurgence of the People 2019
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About the Author
Shirley Madill has curated exhibitions of Kent Monkman’s art at the Art Gallery of Hamilton and at the Kitchener-Waterloo Art Gallery.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.