Kathleen Munn’s key works can be divided into two groups. The first group, from the period 1909–29, focuses on paintings reflecting her exploration of several related artistic movements, such as Post-Impressionism and Cubism; the second, 1929–39, highlights her rigorous experimentation with dynamic symmetry, culminating in her most innovative series of drawings, the Passion series.
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Untitled (Study of Cows) c. 1910
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Untitled (Cows on a Hillside) c. 1916
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Untitled (Nude in Forest) c. 1923
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The Dance c. 1923
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Still Life c. 1925
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Composition (Reclining Nude) c. 1926–28
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Untitled (Deposition) c. 1926–28
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Untitled I c. 1926–28
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Composition (Horses) c. 1927
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Untitled (Descent from the Cross) c. 1927
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Untitled (Crucifixion) c. 1927–28
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Untitled (Four Figures in the Woods) c. 1928–30
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Untitled (Two Nudes in a Landscape) c. 1928–30
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Mother and Child c. 1930
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Descent from the Cross c. 1934–35
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The Crucifixion (Passion Series) c. 1934–35
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Last Supper 1938
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About the Author
Georgiana Uhlyarik is Associate Curator of Canadian Art at the Art Gallery of Ontario, Toronto.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.