Joyce Wieland created a remarkably diverse body of work throughout the 1960s and 1970s. The artworks selected for this section have been drawn from these two decades. They represent Wieland’s aesthetic innovation, her experimentation with non-traditional materials and media, and her commitment to making art that is socially and politically relevant.
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About the Author
Johanne Sloan is Professor of Art History at Concordia University in Montreal.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.