A goldsmith at heart, Reid was most content sitting at his jeweller’s workbench, and the small-scale works he brought to life are poignant testaments to the deep joy he experienced creating art. As his artistic practice evolved and his connection to Haida culture deepened, Reid drew inspiration from well-known narratives, time and again inserting himself and his contemporary presence into an ancestral story. The monumental sculptural works that came to fruition with the assistance of many tell an equally important story. Ultimately, Reid came to prioritize the act of making, and its central role in the networked, animate relations of Haida culture.
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Hinged Raven Bracelet c.1955
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Haida Village 1958–62
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Cedar Screen 1968
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Milky Way Necklace 1969
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The Raven Discovering Mankind in a Clamshell 1970
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Haida Myth of Bear Mother Dish 1972
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Skidegate Dogfish Pole 1978
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Dogfish Woman Transformation Pendant 1982
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Killer Whale 1982
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Phyllidula—The Shape of Frogs to Come 1984–85
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Spirit of Haida Gwaii 1986
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Loo Taas 1986
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About the Author
Gerald McMaster has over thirty years of international work and expertise in contemporary art and indigenous aesthetics.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.