Over a forty-five-year period, Gershon Iskowitz’s work reflected the trauma and dramatic changes in his life—from his wartime experiences and Holocaust ordeal to his postwar survival in Europe and immigration to Canada in 1948. By the mid-1950s a newfound freedom enabled him to pursue a self-determined path that led first to his landscape painting and, by 1960, to an individual approach to abstraction that continued through the rest of his career.
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Buchenwald 1944–45
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Korban c.1952
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Self-Portrait c.1955
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Parry Sound I 1955
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Untitled 1962
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Late Summer Evening 1962
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Autumn Landscape #2 1967
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Lowlands No. 9 1970
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Uplands E 1971
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Little Orange Painting II 1974
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Untitled 1977
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Summer G 1978
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Orange Yellow C 1982
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Northern Lights Septet No. 3 1985
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Not Titled c.1987
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About the Author
Ihor Holubizky is an art historian (PhD, University of Queensland) based in Canada.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.