General Idea’s early projects mimicked popular culture formats, such as beauty pageants and picture magazines, in order to forward a critical and satirical view of art, culture, and media. In 1987 the group turned their attention to the AIDS crisis, using strategies developed over the previous eighteen years to new ends.
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About the Author
Sarah E.K. Smith is a Social Sciences and Humanities Research Council Postdoctoral Fellow at Harvard University.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.