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Eli Bornstein is a prolific writer whose many critical and theoretical articles have been included in national and international anthologies. Most prominently, they were included in the periodical The Structurist, which Bornstein published and edited out of the University of Saskatchewan, Saskatoon, annually from 1960 to 1972 and then biennially until 2000, with anniversary issues in 2010 and 2020. He is also a journal keeper. The major curators/historians to have dealt with his work are Jonneke Fritz-Jobse and Oliver A.I. Botar.

 

Billboard advertising the exhibition Artist in Focus: Eli Bornstein at Remai Modern, Saskatoon, 2019, photograph by Roald Nasgaard.
Eli Bornstein with Untitled Hexaplane Structurist Relief, date unknown, photographer unknown.

 

 

Selected Solo Exhibitions

 

1954

Eli Bornstein: Sculpture, Paintings, Drawings and Prints. Convocation Hall, University of Saskatchewan, Saskatoon

1956

Eli Bornstein: Graphics. Hart House, University of Toronto, Toronto

1957

Eli Bornstein: Paintings, Sculpture, Graphics, Drawings. Saskatoon Art Centre, Saskatoon; Norman MacKenzie Art Gallery, Regina; Murray Memorial Library, University of Saskatchewan, Saskatoon

1965

Eli Bornstein: Structurist Reliefs. Kazimir Gallery, Chicago.

 

Eli Bornstein: Retrospective Exhibition 1943–1964. Mendel Art Gallery, Saskatoon

1967

Structurist Reliefs by Eli Bornstein. Kazimir Gallery, Chicago

1975

Eli Bornstein: Structurist Reliefs 1966–1975. Saskatoon Public Library Art Gallery, Saskatoon

1976

Eli Bornstein: Structurist Reliefs 1966–1975. Centre culturel canadien, Paris

1981

Eli Bornstein: Early Works 1940 to 1956. Gordon Snelgrove Gallery, University of Saskatchewan, Saskatoon

1982–84

Eli Bornstein: Selected Works / Œuvres choisis 1957–1982. Mendel Art Gallery, Saskatoon; Art Gallery of York University, Toronto; Confederation Centre Art Gallery and Museum, Charlottetown; Owens Art Gallery, Mount Allison University, Sackville; Fine Art Gallery of University of Wisconsin-Milwaukee

1986

Eli Bornstein: Structurist Reliefs. Momentum Fine Arts, Minneapolis

1987

Eli Bornstein: Arctic Studies. Watercolours 1986–1987. The Gallery/Art Placement, Saskatoon

1990

Eli Bornstein: Newfoundland Studies (1988) and Riverbank Studies (1989). Watercolours. The Gallery/Art Placement, Saskatoon. SR 103: Brochure cover

1996

Eli Bornstein: Art Toward Nature. Mendel Art Gallery, Saskatoon

2007

Eli Bornstein. Forum Gallery, New York

2013

An Art at the Mercy of Light: Recent Works by Eli Bornstein. Mendel Art Gallery, Saskatoon, and the School of Art Gallery, University of Manitoba, Winnipeg

2014-15

Eli Bornstein: Constructed Works, 1960 to Present. Winchester Modern, Victoria

2015

Eli Bornstein: A New Awareness of Beauty. Initial Gallery, Vancouver

2017

Eli Bornstein. Darrell Bell Gallery, Saskatoon

2019

Artist in Focus: Eli Bornstein. Remai Modern, Saskatoon

 

Selected Group Exhibitions

 

1950

Beginning in 1950 and for the next decade, Bornstein participated regularly in the annual and biennial survey exhibitions that then were staple fare for art museums in North America: Milwaukee Art Institute; Walker Art Center, Minneapolis; Art Institute of Chicago; Pennsylvania Academy of the Fine Arts, Philadelphia; National Gallery of Canada, Ottawa; Montreal Museum of Fine Arts; Winnipeg Art Gallery; Seattle Art Museum

1967

Statements: 18 Canadian Artists. Norman MacKenzie Art Gallery, Regina

1968

Relief/Construction/Relief. Museum of Contemporary Art, Chicago; Herron Museum of Art, Indianapolis; Cranbrook Academy of Art Galleries, Bloomfield Hills; High Museum of Art, Atlanta

1970

Il Bienal de Arte Coltejer-Medellín. Museo de la Universidad de Antioquia, Medellín, Colombia

1973

Structure in Art. University of Saskatchewan, Saskatoon

1979–80

The Evolution of the Constructed Relief 1913–1979. Nickle Museum, University of Calgary; Mendel Art Gallery, Saskatoon; University of Manitoba Art Gallery, Winnipeg

1983–84

Winnipeg West: Painting and Sculpture in Western Canada 1946–1970. The Edmonton Art Gallery; Surrey Art Gallery; Rodman Hall Art Centre, St. Catharines; Sarnia Public Library and Art Gallery; Art Gallery of Hamilton; Art Gallery of Windsor; Glenbow Museum, Calgary

1983–85

Five from Saskatchewan. Canada House, London, England; Canadian Cultural Centre, Brussels; Centre culturel canadien, Paris; Alexander-Koenig Museum, Bonn

1984

Tribute to Eli Bornstein: European and American Relief Masters. Milwaukee Art Museum

1992–94

Achieving the Modern: Canadian Abstract Art and Design in the 1950s. Winnipeg Art Gallery; Confederation Centre Art Gallery and Museum, Charlottetown; Mendel Art Gallery, Saskatoon; the Edmonton Art Gallery; Art Gallery of Windsor.

 

The Crisis in Abstraction in Canada: The 1950s. Musée du Quebec; National Gallery of Canada, Ottawa; MacKenzie Art Gallery, Regina; Glenbow Museum, Calgary; Art Gallery of Hamilton

 

 

Writings by the Artist

Cover of Eli Bornstein: Arctic Journals 1986 and 1987, by Eli Bornstein, with contributions by Roald Nasgaard (Vancouver: Figure 1 Publishing, 2022).
Cover of The Structurist, no. 4, “Art and Music,” edited by Eli Bornstein (Saskatoon: University of Saskatchewan, 1964).

“Abstract Art on the Prairies.” Perspectives of Saskatchewan. Ed. Jene M. Porter. Winnipeg: University of Manitoba Press, 2009. Pages 273–88.

 

“The Constructed Relief as a New Medium.” Structure in Art. Saskatoon: University of Saskatchewan, 1973). Pages 17–23.

 

“Continuity and Renewal: A Place for Art.” Eli Bornstein: A New Awareness of Beauty. Vancouver: Initial Gallery, 2015. Exhibition catalogue.

 

Eli Bornstein: Arctic Journals 1986 and 1987. Introduction by Roald Nasgaard. Vancouver: Figure 1, 2022.

 

Eli Bornstein’s personal journal, 1990–2017, 1,136 typewritten pages, unpublished except for excerpts in two Mendel Art Gallery exhibition catalogues: Mendel (1996), pp. 38–46, and Mendel (2013), pp. 32–39.

 

“Notes on Art-I.” Statements: 18 Canadian Artists. Regina: Norman MacKenzie Art Gallery, 1967. Pages 24–29.

 

“Notes on structurist process.” DATA: Directions in Art, Theory and Aesthetics. Ed. Anthony Hill. London: Faber and Faber, 1968. Pages 192–203.

 

“Notes on Structurist Vision.” Canadian Art Today. Ed. William Townsend. London: Studio International, 1970. Pages 52–55.

 

“Of Time in Art and Nature.” Time as a Human Resource. Ed. E.J. McCullough and R.L. Calder. Calgary: University of Calgary Press, 1991. Pages 257–63.

 

“Pioneering Abstract Art on the Prairies.” A Celebration of Canada’s Arts 1930–1970. Ed. Glen Carruthers and Gordana Lazarevich. Toronto: Canadian Scholars Press, 1996. 147–52.

 

“Structurist Art and Creative Integration.” Art International 11 (April 1967). Pages 31–36.

 

“Transitions toward the New Art.” Structure no. 1 (1958). Pages 1, 30–46.

 

 

Selected Critical Writings on the Artist’s Work

Botar, Oliver A.I. “‘The constructed relief is an art at the mercy of light.’” An Art at the Mercy of Light: Recent Work by Eli Bornstein. Saskatoon: Mendel Art Gallery, 2013. Exhibition catalogue with contributions from Eli Bornstein and Rodney La Tourelle. https://valmesta.files.wordpress.com/2014/04/soa_catalogue_anartatthemercyoflight_elibornstein.pdf.

 

———. “The poetics of Eli Bornstein’s Art of Light, Structure and Perception.” Eli Bornstein: Constructed Works from 1960 to Present. Victoria: Winchester Modern, 2015. Exhibition catalogue.

 

Cover of Eli Bornstein: Art Toward Nature, with contributions by Eli Bornstein and Jonneke Fritz-Jobse (Saskatoon: Mendel Art Gallery, 1996).
Cover of Artist in Focus: Eli Bornstein, with contributions by Sandra Fraser and Roald Nasgaard (Saskatoon: Remai Modern, 2019).

———. “The Importance of Eli Bornstein.” Eli Bornstein. Saskatoon: Darrell Bell Gallery, 2017. Exhibition catalogue.

 

Fritz-Jobse, Jonneke. Eli Bornstein: Art Toward Nature. Saskatoon: Mendel Art Gallery, 1996. Exhibition catalogue with contributions by Eli Bornstein, and a detailed list of exhibitions and bibliography to 1996.

 

———. De Stijl Continued: The Journal Structure (1958–1964): An Artists’ Debate. Rotterdam: 010 Publishers, 2005.

 

Greenberg, Clement. “Painting and Sculpture in Prairie Canada.” Canadian Art (March–April, 1961). Reprinted in Clement Greenberg: The Collected Essays and Criticism, Volume 4. Modernism with a Vengeance, 1957–1969. Ed. John O’Brian. Chicago: University of Chicago Press, 1993. Pages 153–75.

 

Hayton, Harold. “The Structurist Movement.” Chicago Omnibus (May 1967). Pages 58–62.

 

Karpuszko, Kazimir. Eli Bornstein: Selected Works / Œuvres choisies, 1957–1982. Saskatoon: Mendel Art Gallery, 1982. Exhibition catalogue including catalogue raisonné, 1957–1982.

 

Leclerc, Denise. The Crisis of Abstraction in Canada: The 1950s. Ottawa: National Gallery of Canada, 1992. Pages 95–96.

 

Nasgaard, Roald. Abstract Painting in Canada. Vancouver: Douglas and McIntyre, 2007. Pages 292–93.

 

———. “To Invent the Truth” Artist in Focus: Eli Bornstein. Saskatoon: Remai Modern, 2019. Exhibition catalogue.

 

Nemiroff, Diana. “Geometric Abstraction after 1950.” The Visual Arts in Canada: The Twentieth Century. Eds. Anne Whitelaw, Brian Foss, and Sandra Paikowsky. Don Mills, ON: Oxford University Press, 2011. Pages 218–19.

 

Nordland, Gerald. Eli Bornstein. New York: Forum Gallery, 2007. Exhibition catalogue.

 

Regan, Ron. “A New Awareness of Beauty.” Eli Bornstein, A New Awareness of Beauty. Vancouver: Initial Gallery, 2015. Exhibition catalogue.

 

 

 

Recent Interviews: Print and Television

Enright, Robert. “Plane Talk: An Interview with Eli Bornstein.” BorderCrossings no. 128 (December 2013). https://bordercrossingsmag.com/article/plane-talk.

 

”galaMODERN honours Eli Bornstein. July 4, 2019.” https://www.youtube.com/watch?v=-nUPqShJGVE.

 

Grebinski, Leisha. A look at the home of artist Eli Bornstein. CBC Saskatoon, September 11, 2019.

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