Carl Beam’s artistic practice was not restricted to any single medium or creative approach. Over the course of his career, he worked in many media and modes, ranging from painting, printmaking, and drawing to sculpture and ceramics, and from photography and performance art to adobe brick construction. In all his work, Beam treated significant issues that have affected Indigenous peoples on Turtle Island since European contact in the fifteenth century. He was committed to exposing stereotypes and prejudices, and through the use of complex visual fields, he challenged viewers to grapple with the ideas in his work and to be active participants in meaning-making.


  • Self-Portrait in My Christian Dior Bathing Suit

    Self-Portrait in My Christian Dior Bathing Suit 1980

  • Raven

    Raven 1983

  • Anne Frank 1

    Anne Frank 1 1985

  • The North American Iceberg

    The North American Iceberg 1985

  • Voyage 1

    Voyage 1 1988

  • Burying the Ruler

    Burying the Ruler 1989

  • The Columbus Suite

    The Columbus Suite 1990

  • Adobe House

    Adobe House 1992

  • Big Dissolve

    Big Dissolve 2001

  • Whose Space Is It Anyway?

    Whose Space Is It Anyway 2002

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