Betty Goodwin produced a vast number of works in a range of media, from drawing and printmaking to large-scale installations. She first won recognition for her printmaking, starting with her acclaimed Vest series, 1969–74. Her prints of three-dimensional items kindled the artist’s interest in found objects and use of their material presence as an expressive metaphor. Goodwin’s inventive explorations of materials continued in her tarpaulin and installation works and in her large Swimmers series, 1982–88, which initiated the prodigious array of expressive figurative drawings for which she became best known.
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Vest One 1969
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Tarpaulin No. 3 1975
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The Mentana Street Project 1979
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In Berlin: A Triptych, The Beginning of the Fourth Part 1982–83
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Moving Towards Fire 1983
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Moving Towards Fire 1985
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Carbon 1986
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Without Cease the Earth Faintly Trembles 1988
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Steel Notes series 1988–89
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Untitled (La Mémoire du corps) (The Memory of the Body) 1993
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Untitled (Nerves, No. 1) 1993
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About the Author
Jessica Bradley is a distinguished art historian, curator, and former gallerist.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.